In Tunisia (while it could also be somewhere else), the border between the necessity and the fear of making a film is also the necessity and the fear of a revolution. In a day that could also be a life, a young man could also be an older woman, and a nightmare could also be a dream. Cooperation from a distance turns a self-portrait into a group depiction. Clandestine, but straight from the heart—an end could also lead to a new beginning.